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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Vivian Family at home</text>
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                <text>Vivian Family at home&#13;
Leopold.  Mary Chrish&#13;
Mary Burgess. Jess Vivian&#13;
Emily Houghton Alice Vivian ?  Lucy Vivian ?&#13;
&#13;
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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              <text>10x8 Inches </text>
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              <text>Serena Wadham </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viviana Quinn</text>
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            <name>Description</name>
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                <text>Female, Male and Child close ups indoors</text>
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            <name>Creator</name>
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                <text>Serena Wadham </text>
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            <name>Date</name>
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                <text>1960s</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Identifier</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Building Name</name>
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            <description>A name given to the resource</description>
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                <text>Volunteer cleaning razor bills and others</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Wild Birds</text>
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                <text>Anno Mwork</text>
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                <text>1961</text>
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                <text>Mousehole</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Cleaning oil damaged birds afer Torrey Canyon disaster</text>
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DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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&#13;
Sampson Mitchell of Alma fame, hit her mainmast with the first rocket, and the exhausted, seasick Dutchmen, and a young English cabin boy fresh from training ship were landed. Captain de Grooth refused to leave until coastguards and a local doctor, who had gone out to attend a sailor prostrated with expourse and rum, showed him the wreck of the Seine. &#13;
&#13;
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&#13;
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&#13;
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&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Books Ltd, 1970), p87.</text>
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                <text>Voorspoed, wrecked at Perran, March 7th 1901</text>
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                <text>The 286-ton steel schooner Voorspoed of Amsterdam, W.K. machinery and general cargo, failed to weather Droskyn Point, in a fresh northerly gale on March 7th 1901. &#13;
&#13;
Sampson Mitchell of Alma fame, hit her mainmast with the first rocket, and the exhausted, seasick Dutchmen, and a young English cabin boy fresh from training ship were landed. Captain de Grooth refused to leave until coastguards and a local doctor, who had gone out to attend a sailor prostrated with expourse and rum, showed him the wreck of the Seine. &#13;
&#13;
The Voorspoed, listing slightly to starboard, ebbed dry at noon, when stores, gear, clothes, and a stuffed alligator were landed by breeches-buoy. &#13;
&#13;
How and when the looting started was never determined, but Captain de Grooth later said, "I have been wrecked in different parts of the globe, even in the Fiji island, but never among such savages as those of Perranporth." Most of the blame fell on the Navvies working on the new GWR branch line from Chasewater to Newquay, though Perran men were seen on deck surrounded by the beach in aprons of local women. &#13;
&#13;
The Voorspoed, ex-Foxham, ex-Jan Derks, launched in 1892 by Neistern &amp; Co of Martenshoek was refloated a fortnight later by the Falmouth tug Triton, but on her next voyage disappeared with all hands while bound for Newfoundland. &#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Books Ltd, 1970), p87.</text>
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                <text>Morrab Library</text>
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                <text>17-11-1893</text>
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                <text>Carbis Bay</text>
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            <description>An account of the resource</description>
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                <text>Collided with 'Bessie'</text>
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            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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            <description>An account of the resource</description>
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                <text>W  H Smith corner site opposite the Railway Station Market Jew Street Penzance. </text>
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                <text>Orchard</text>
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                <text>c. 1930</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="27755">
                <text>© Morrab Library</text>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.1377</text>
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                <text>Penzance</text>
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                <text>W  H Smith corner site opposite the Railway Statio</text>
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                  <text>Early photos of Penzance people "the great and the good". The photo of Princess Alexandra is part of a larger photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (Penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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            <description>A name given to the resource</description>
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                <text>W A Ralph</text>
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            <description>An account of the resource</description>
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                <text>County Court Officer, 7 North Parade</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert Preston</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Penzance</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>W C &amp; S Hancock Motor Car Track fairground ride</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Business Name</name>
          <description>Name of establishment depicted in the image.</description>
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              <text>W E Trudgeon</text>
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                <text>Taw Estuary, Devon</text>
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            <name>Identifier</name>
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                <text>TRANS 30PG 093</text>
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                <text>Bedford  truck registration CRL 114.  The door says W Skewes, Chiverton, Marazion</text>
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        <name>Travel and transport</name>
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